This was the one that started it all for me. This is the first A Christmas Carol I remember watching as a child the first time it was broadcast on U.S. television.  It is the first of two Australian animated versions; this one was made in 1969 (the other was 1982).  It didn’t appear on U. S. television until December 1970  (which was my first viewing) when it was broadcast by the CBS network. With the great Chuck Jones animated version of ACC.  The production company, Air Programs, that put forth this version did other animated specials I remember: A Connecticut Yankee in King Arthur’s Court.  Air Programs and its animation did work for other companies, notably Hanna-Barbera, so it offers a familiarity of the period for those of us watching particular cartoon shows of the late 60’s – early ‘70’s.  A few years after its initial U.S. broadcast, I pretty much never saw it.  That is, I stopped seeing it available on any television channel anymore during the season.  If it was shown by local stations, it was never one in the areas I lived in. I was quite happy when I first came across it on VHS in the 80’s (the one pictured above).  It can now be viewed as an Amazon Prime offering and on YouTube.

Let’s remember to keep this in context: 1) animated; 2) made for television; 3) 1969; 4) target audience of children.  Keeping all this in mind is a good way to approach this version. Over the years I’ve read some folks opinions that give this rendering a fairly bad review. For me, it has first and foremost a nostalgic value.  Beyond that, however, I think it’s not as bad as some would seem to find it (context!).

There era that contained 1969 / 1970 wasn’t as afraid of giving children a little bit of fright, unlike the great fear of likewise content today. There’s a proper setting of London that is gloomy and this Jacob Marley is scary!  But it’s still targeted to a young audience and doesn’t hide its efforts at child appeal; at times its attempts of kid allure are pretty cookie cutter (that’s not a bad thing).

With a just-gloomy-enough visual setting established, this bypasses the often used exposition of the novella’s opening lines about Marley via voice-over narration (Marley was dead: to begin with. There is no doubt whatever about that.). Instead there is something a little more fresh: we see Scrooge walking past the cemetery and noticing Marley’s grave. Then there is an immediate flashback to Marley’s funeral which established that Marley is definitely dead and how miserly Scrooge was by the cheap funeral.

From here on the pretty standard story is presented but with some eccentricities peculiar to this version.  First, there is the odd scene between Scrooge and his nephew, Fred.  During their standard exchange in Scrooge’s office, Fred suddenly breaks out in song!  At first it appears Fred is just being jovial but the scene turns into an actual musical number when Scrooge sings response lines back at Fred.  It’s an odd scene as a musical number in a non-musical version.  It’s hard to ignore the odd buck teeth the animators decided to give to Fred; they draw your focus like a large blemish on a face.

The largest of noticeable oddities is Marley’s ghost.  It is a kid version of full on horror. Marley enters wearing a flowing white robe with a head as a flaming skull while occasionally fully fading in and out of visibility.  When Marley informs Scrooge about the chain he is now forging for himself, he becomes invisible with only the chain around him remaining to demonstrate its ponderous attribute and permanence.

The Ghost of Christmas Past is an old man who seems something of a cross between a shepherd and Father Time.  The past visit here omits Scrooge’s old school and his sister, Fan.

This Ghost of Christmas Present deviates from other portrayals among the traditional retellings of the story which are fairly uniform in his depiction. The reason for this is obviously because of Dickens’ description coupled Leech’s original illustrations make it easy to replicate his intended facade. But in this version, he has a slight likeness to the preceding Ghost of Christmas present. With a long white robe and lantern, it is my own observation that he bears some resemblance to the tarot card known as The Hermit.

The Ghost of Christmas Yet to Come is very standard as is the variated scenes of the visit.  One line by Scrooge always stands out for me, after he shown the Cratchits mourning Tiny Tim’s death – Scrooge: “Spirit, I hate your domain. Everywhere is death and misery.”

All in all it’s a watchable version but best for introducing younger folks to ACC. The final proof that this is geared toward children is the ending, itself. The Crachit family stands around a seated Ebenezer Scrooge and sings to him:

• We wish you a Merry Christmas,
• We wish you a Merry Christmas,
• We wish you a Merry Christmas,
• Our dear Mister Scrooge.

Unique

Being a show intended for children, there’s a running gag with Scrooge attempting to sneeze.  Throughout the story, he attempts to sneeze but cannot. At one point he inquires to the Ghost of Christmas Present:

SCROOGE: Tell me, Spirit: why is it that this wretched snuff won’t produce a sneeze to clear my head? GHOST: You’re too mean to give away a good sneeze Ebenezer Scrooge.

After his transformation, Scrooge goes to the Cratchit household (not his nephew’s) on Christmas Day and tells them he’s inviting himself to dinner. While sitting with the Cratchit children, he finally manages a good (large) sneeze. This obviously signifies that he is no longer as mean as he was being able to give the sneeze away.

Missing

• Phantom hearse
• Wandering spirits
• Young Scrooge at school flashback
• Fan (Scrooge’s sister)
• Miners, ship, and lighthouse
• Belle as the comely matron
• Ignorance & Want
• The undertaker (in the scene with Old Joe, charwoman, and laundress)
• Visiting Fred on Christmas